• Personal Accounts
    • About
    • There's a river...
    • Lago di Como
    • Mango Blossoms
    • Deinde Falase
    • Salle d'écoute
    • Survivor Offerings
  • Beloved
  • These three remain
  • Chorus
  • This song is for...
    • This song is for...
    • This song is for... vol 1
  • Berenice
  • Elegy
    • Elegy, 2015-
    • Performances
    • Elegy - for two ancestors
    • 10-channel installation
    • Noluvo Swelindawo (portraits)
  • Faces of people who...
  • Roulette
  • Stumbling Block
  • Galleria Raffaella Cortese
  • Goodman Gallery
  • Studio Goliath
  • Menu

Gabrielle Goliath

  • Personal Accounts
    • About
    • There's a river...
    • Lago di Como
    • Mango Blossoms
    • Deinde Falase
    • Salle d'écoute
    • Survivor Offerings
  • Beloved
  • These three remain
  • Chorus
  • This song is for...
    • This song is for...
    • This song is for... vol 1
  • Berenice
  • Elegy
    • Elegy, 2015-
    • Performances
    • Elegy - for two ancestors
    • 10-channel installation
    • Noluvo Swelindawo (portraits)
  • Faces of people who...
  • Roulette
  • Stumbling Block
  • Galleria Raffaella Cortese
  • Goodman Gallery
  • Studio Goliath

“Goliath’s practice is grounded in that recovery, with works that test how art can create space for trauma to unfold and unfurl – to be worked through relationally, laterally, personally – in the name of restoration through recognition. That is, to hold space for witnessing as much as to bear witness; not through language nor the intellectualisation of the horrors of systemic violence, but through the complex web of emotions and states that define its ever-shifting and far-reaching textures, both within the body and without.”

Stephanie Bailey,
Art Review read

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Note 246

"What is required of us, now? In this long time of our undoing?"

'Ordinary Notes' (2023), Christina Sharpe