• Personal Accounts
    • About
    • The Giving Tree
    • a quiet rush
    • Mango Blossoms
    • Lago di Como
    • Salle d'écoute
    • Deinde Falase
    • There's a river...
  • Beloved
  • These three remain
  • Chorus
  • This song is for...
    • This song is for...
    • This song is for... vol 1
  • Berenice
  • Elegy
    • Elegy, 2015-
    • Performances
    • Elegy - for two ancestors
    • 10-channel installation
    • Noluvo Swelindawo (portraits)
  • Faces of people who...
  • Roulette
  • Stumbling Block
  • Galleria Raffaella Cortese
  • Studio Goliath
  • Menu

Gabrielle Goliath

  • Personal Accounts
    • About
    • The Giving Tree
    • a quiet rush
    • Mango Blossoms
    • Lago di Como
    • Salle d'écoute
    • Deinde Falase
    • There's a river...
  • Beloved
  • These three remain
  • Chorus
  • This song is for...
    • This song is for...
    • This song is for... vol 1
  • Berenice
  • Elegy
    • Elegy, 2015-
    • Performances
    • Elegy - for two ancestors
    • 10-channel installation
    • Noluvo Swelindawo (portraits)
  • Faces of people who...
  • Roulette
  • Stumbling Block
  • Galleria Raffaella Cortese
  • Studio Goliath

“The single note in Elegy is equal parts clarion call and durational rejection of mourning’s expected temporality. The performativity of Goliath’s practice lies in its metabolic urgency: its response to the necrographic commitment to one another, and to the dead whose memory comprises the shared memorial responsibility of the living.”

Zoé Samudzi
Mousse Magazine

…

“Conceived as an act of collective ritual mourning in response to the murder of journalism student Ipeleng Christine Moholane, the work epitomises Goliath’s conceptually profound yet tender approach to one of the most harrowing realities of life in contemporary South Africa: the prevalence of gender-based violence.”

Apollo 40

…

“Elegy is wound and medicine when mourning itself is under threat.”

Christina Sharpe
& Rinaldo Walcott
Hyperallergic

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