2019 -


In This song is for… Gabrielle Goliath returns to and re-performs the popular convention of the dedication song, in collaboration with a group of women and gender-queer led musical ensembles.

Playing sequentially within the immersive, sonic space of the installation is a unique collection of dedication songs, each chosen by a survivor of rape and performed as a newly produced cover-version. These are songs of personal significance to the survivors – songs that transport them back to a particular time and place, evoking a sensory world of memory and feeling.

A sonic disruption is introduced at a point within each song; a recurring musical rupture recalling the ‘broken record’ effect of a scratched vinyl LP. Presented in this performed disruption is an opportunity for listeners to affectively inhabit a contested space of traumatic recall – one in which the de-subjectifying violence of rape and its psychic afterlives become painfully entangled with personal and political claims to life, dignity, hope, faith, even joy. 

Click here to view/listen


This song is for... Standard Bank Gallery, Johannesburg, 2019, Installation views, Photos by Anthea Pockroy


This song is for... Pinchuk Art Centre, Kiev, Ukraine, 2019, Installation views, Photos by Alex Piliugin & Maksim Belousov