Gabrielle Goliath

“Goliath’s practice is grounded in that recovery, with works that test how art can create space for trauma to unfold and unfurl – to be worked through relationally, laterally, personally – in the name of restoration through recognition. That is, to hold space for witnessing as much as to bear witness; not through language nor the intellectualisation of the horrors of systemic violence, but through the complex web of emotions and states that define its ever-shifting and far-reaching textures, both within the body and without.”

Stephanie Bailey,
Art Review read

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Berenice

photographic life-work
2010-

Berenice 29-39, 2022, series of 11 photographic portraits, pigment ink on cotton Baryta, 11(90x90cm)

Installation view of the exhibition “New Photography 2025: Lines of Belonging,” September 14, 2025 - January 17, 2026. The Museum of Modern Art, New York. Digital Image © 2025 The Museum of Modern Art, New York. Photo by Robert Gerhardt.

Gabrielle Goliath_Berenice 10-28_2010_Kunsthaus Baselland_2022_photo by Gina Folly copy.jpg

Berenice 10-28 (2010) & Berenice 29-39 (2022), Installation views, Kunsthaus Baselland (2022)