Gabrielle Goliath

“Goliath’s practice is grounded in that recovery, with works that test how art can create space for trauma to unfold and unfurl – to be worked through relationally, laterally, personally – in the name of restoration through recognition. That is, to hold space for witnessing as much as to bear witness; not through language nor the intellectualisation of the horrors of systemic violence, but through the complex web of emotions and states that define its ever-shifting and far-reaching textures, both within the body and without.”

Stephanie Bailey,
Art Review read

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The copyright for any material published on this website is reserved. Any duplication or use of objects such as images, videos, sound files and texts is not permitted without the written agreement of Studio Goliath contact

Personal Accounts

multi-cycle video & sound installation
2024-

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Personal Accounts, 2024-ongoing, multi-cycle video & sound installation, installation views, PinchukArtCentre, Kyiv (2025), photos by Elzbieta Bialkowska OKNO Studio, courtesy the artist and PinchukArtCentre

Personal Accounts, 2024-ongoing, multi-cycle video & sound installation, installation views, Stranieri Ovunque – Foreigners Everywhere,
La Biennale di Venezia (2024), photos by Luc Meneghel, courtesy the artist

Personal Accounts, 2024-ongoing, multi-cycle video & sound installation, installation views, Talbot Rice Gallery, Edinburgh (2024/5), photos by Sally Jubb, courtesy the artist and Talbot Rice Gallery

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Personal Accounts, 2024-ongoing, multi-cycle video & sound installation, installation views, B7L9, Tunis (2024), photos by Mehdi Ben Temessek, courtesy the artist and the Kamel Lazaar Foundation